We Rule the Waves: Athletic Labor, Femininity, and the Collective in Billy Rose's Aquacade.
In the 1930s and ‘40s, nightclub impresario Billy Rose cast Olympic swimmers and divers in starring roles for his patriotic World’s Fair revue. Positioning the Aquacade in the genealogies of mass spectacles, militaristic display, girly revues, and the rising popularity of pool culture reveals the th...
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2018
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| Online Access: | http://hdl.handle.net/11675/5018 https://www.mitpressjournals.org/doi/abs/10.1162/DRAM_a_00676# |
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