Season of migration to the north and heart of darkness african mimicry of european stereotypes

This article examines Tayeb Salih's Season of Migration to the North as it mimics Joseph Conrad's Heart of Darkness. It looks at the North-South dynamics in terms of colonial-postcolonial asymmetrical power relations underlying these two representative literary narratives. The two novels a...

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التفاصيل البيبلوغرافية
المؤلف الرئيسي: El-Hussari, Ibrahim A. (author)
التنسيق: article
منشور في: 2010
الوصول للمادة أونلاين:http://hdl.handle.net/10725/7026
http://libraries.lau.edu.lb/research/laur/terms-of-use/articles.php
https://search.proquest.com/docview/1112689129?pq-origsite=gscholar
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author El-Hussari, Ibrahim A.
author_facet El-Hussari, Ibrahim A.
author_role author
dc.creator.none.fl_str_mv El-Hussari, Ibrahim A.
dc.date.none.fl_str_mv 2010
2018-02-05T13:14:15Z
2018-02-05T13:14:15Z
2018-02-05
dc.identifier.none.fl_str_mv 1016-9342‎
http://hdl.handle.net/10725/7026
El-Hussari, I. A. (2010). Season of Migration to the North and Heart of Darkness African Mimicry of European Stereotypes. International Research Journal of Arts and Humanities, 38(38), 105.
http://libraries.lau.edu.lb/research/laur/terms-of-use/articles.php
https://search.proquest.com/docview/1112689129?pq-origsite=gscholar
dc.language.none.fl_str_mv en
dc.relation.none.fl_str_mv International Research Journal of Arts and Humanities
dc.rights.*.fl_str_mv info:eu-repo/semantics/openAccess
dc.title.none.fl_str_mv Season of migration to the north and heart of darkness african mimicry of european stereotypes
dc.type.none.fl_str_mv Article
info:eu-repo/semantics/publishedVersion
info:eu-repo/semantics/article
description This article examines Tayeb Salih's Season of Migration to the North as it mimics Joseph Conrad's Heart of Darkness. It looks at the North-South dynamics in terms of colonial-postcolonial asymmetrical power relations underlying these two representative literary narratives. The two novels are structured along two round trips taken by the narrators in a reverse order, yet the ensuing outcomes are quite compelling. As each of the two novels resolves itself in a self challenging manner, it also addresses a more challenging public issue. Salih's Afro-Arab, Sudanese narrative moves from the egocentric to the polyphonic, from the dominance of a monolithic culture to the subordination of convergent cultures, and back to the starting point in the Sudan. Conrad's Euro-English narrative moves from the polyphonic to the egocentric, and back to the starting point in Europe. Along the two trips, deceptively distinct at face value, personal and collective memories are invariably recalled by the narrators to interpret and elevate the difficult situations the main characters of the two novels pass through. The stress on the spatial metaphors, as the texts place themselves in historical contexts, is so crucial for the notion of intertextuality. This raises the assumption whether Salih's model of intertextuality can be read as an explicit African attempt at writing back to the West or an implicit call for a dialogue through the sympathetic medium of literature. The article examines this assumption, in particular, through analyzing the forms of mimicry used by Salih to parody Conrad's text. Emphasis is placed on examining the issue of duplicity and/or complicity between characters and narrators. This is done in terms of Freudian and Jungian interpretations of human psyche under alienation and stress. Language and linguistic discourse features are also examined as part of the narrative structure and the historical contexts shaping the flow of events in the two tales. These are looked at as linguistic devices addressing the issue of 'otherness' and therefore foregrounding the possibility of a dialogue implied by the ways Salih and Conrad orchestrate their essentially polyphonic texts
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El-Hussari, I. A. (2010). Season of Migration to the North and Heart of Darkness African Mimicry of European Stereotypes. International Research Journal of Arts and Humanities, 38(38), 105.
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spelling Season of migration to the north and heart of darkness african mimicry of european stereotypesEl-Hussari, Ibrahim A.This article examines Tayeb Salih's Season of Migration to the North as it mimics Joseph Conrad's Heart of Darkness. It looks at the North-South dynamics in terms of colonial-postcolonial asymmetrical power relations underlying these two representative literary narratives. The two novels are structured along two round trips taken by the narrators in a reverse order, yet the ensuing outcomes are quite compelling. As each of the two novels resolves itself in a self challenging manner, it also addresses a more challenging public issue. Salih's Afro-Arab, Sudanese narrative moves from the egocentric to the polyphonic, from the dominance of a monolithic culture to the subordination of convergent cultures, and back to the starting point in the Sudan. Conrad's Euro-English narrative moves from the polyphonic to the egocentric, and back to the starting point in Europe. Along the two trips, deceptively distinct at face value, personal and collective memories are invariably recalled by the narrators to interpret and elevate the difficult situations the main characters of the two novels pass through. The stress on the spatial metaphors, as the texts place themselves in historical contexts, is so crucial for the notion of intertextuality. This raises the assumption whether Salih's model of intertextuality can be read as an explicit African attempt at writing back to the West or an implicit call for a dialogue through the sympathetic medium of literature. The article examines this assumption, in particular, through analyzing the forms of mimicry used by Salih to parody Conrad's text. Emphasis is placed on examining the issue of duplicity and/or complicity between characters and narrators. This is done in terms of Freudian and Jungian interpretations of human psyche under alienation and stress. Language and linguistic discourse features are also examined as part of the narrative structure and the historical contexts shaping the flow of events in the two tales. These are looked at as linguistic devices addressing the issue of 'otherness' and therefore foregrounding the possibility of a dialogue implied by the ways Salih and Conrad orchestrate their essentially polyphonic textsPublishedN/A2018-02-05T13:14:15Z2018-02-05T13:14:15Z20102018-02-05Articleinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article1016-9342‎http://hdl.handle.net/10725/7026El-Hussari, I. A. (2010). Season of Migration to the North and Heart of Darkness African Mimicry of European Stereotypes. International Research Journal of Arts and Humanities, 38(38), 105.http://libraries.lau.edu.lb/research/laur/terms-of-use/articles.phphttps://search.proquest.com/docview/1112689129?pq-origsite=gscholarenInternational Research Journal of Arts and Humanitiesinfo:eu-repo/semantics/openAccessoai:laur.lau.edu.lb:10725/70262021-03-19T10:43:15Z
spellingShingle Season of migration to the north and heart of darkness african mimicry of european stereotypes
El-Hussari, Ibrahim A.
status_str publishedVersion
title Season of migration to the north and heart of darkness african mimicry of european stereotypes
title_full Season of migration to the north and heart of darkness african mimicry of european stereotypes
title_fullStr Season of migration to the north and heart of darkness african mimicry of european stereotypes
title_full_unstemmed Season of migration to the north and heart of darkness african mimicry of european stereotypes
title_short Season of migration to the north and heart of darkness african mimicry of european stereotypes
title_sort Season of migration to the north and heart of darkness african mimicry of european stereotypes
url http://hdl.handle.net/10725/7026
http://libraries.lau.edu.lb/research/laur/terms-of-use/articles.php
https://search.proquest.com/docview/1112689129?pq-origsite=gscholar