The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)

Includes bibliographical references (leaves 78-82).

محفوظ في:
التفاصيل البيبلوغرافية
المؤلف الرئيسي: Ward, Abir Said (author)
التنسيق: masterThesis
منشور في: 2010
الموضوعات:
الوصول للمادة أونلاين:http://hdl.handle.net/10725/121
https://doi.org/10.26756/th.2010.4
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author Ward, Abir Said
author_facet Ward, Abir Said
author_role author
dc.creator.none.fl_str_mv Ward, Abir Said
dc.date.none.fl_str_mv 2010-09-28T12:40:58Z
2010-09-28T12:40:58Z
2010
2010-09-28
8/1/2010
dc.identifier.none.fl_str_mv http://hdl.handle.net/10725/121
https://doi.org/10.26756/th.2010.4
dc.language.none.fl_str_mv en
dc.publisher.none.fl_str_mv Lebanese American University
dc.rights.*.fl_str_mv info:eu-repo/semantics/openAccess
dc.subject.none.fl_str_mv Art -- Themes, motives
Comparative literature -- Themes, motives
Art, Comparative
Comparative literature -- Irish and Lebanese
Comparative literature -- Lebanese and Irish
dc.title.none.fl_str_mv The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)
resistance and rebellion of the suppressed voice
dc.type.none.fl_str_mv Thesis
info:eu-repo/semantics/publishedVersion
info:eu-repo/semantics/masterThesis
description Includes bibliographical references (leaves 78-82).
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oai_identifier_str oai:laur.lau.edu.lb:10725/121
publishDate 2010
publisher.none.fl_str_mv Lebanese American University
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spelling The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)resistance and rebellion of the suppressed voiceWard, Abir SaidArt -- Themes, motivesComparative literature -- Themes, motivesArt, ComparativeComparative literature -- Irish and LebaneseComparative literature -- Lebanese and IrishIncludes bibliographical references (leaves 78-82).This thesis examines the cultural representation of traumatic memory. It assumes the existence of a “traumatic unsaid” that seeks expression by indirect means in art. In the case of the Irish and Lebanese cultural productions examined here, this thesis argues that artists repress painful emotions which find expression through displacement—a psychological defense mechanism in which there is an unconscious shift of emotions, affect, or desires from the original object to a more acceptable or immediate substitute—in the form of different motifs or symbols.1 CD-ROM + 1 bound copy: vii, 82 leaves; ill.; 30 cm. available at RNL.Lebanese American University2010-09-28T12:40:58Z2010-09-28T12:40:58Z20102010-09-288/1/2010Thesisinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesishttp://hdl.handle.net/10725/121https://doi.org/10.26756/th.2010.4eninfo:eu-repo/semantics/openAccessoai:laur.lau.edu.lb:10725/1212021-03-19T09:58:56Z
spellingShingle The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)
Ward, Abir Said
Art -- Themes, motives
Comparative literature -- Themes, motives
Art, Comparative
Comparative literature -- Irish and Lebanese
Comparative literature -- Lebanese and Irish
status_str publishedVersion
title The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)
title_full The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)
title_fullStr The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)
title_full_unstemmed The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)
title_short The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)
title_sort The motifs of eyes and feet in Irish and Lebanese poetry, dance, and caricature. (c2010)
topic Art -- Themes, motives
Comparative literature -- Themes, motives
Art, Comparative
Comparative literature -- Irish and Lebanese
Comparative literature -- Lebanese and Irish
url http://hdl.handle.net/10725/121
https://doi.org/10.26756/th.2010.4