Islamic Chinese Art: Islamic anthology of Chinese calligraphy

<p dir="ltr">When Islam spread from the Arabian Peninsula to the rest of the world, it impacted the lives of millions of people. One of the impacts was related to the influence on art, especially when Islam entered China in the 7th century. The Chinese Islamic art was a challenging p...

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Main Author: Maryam Mohammed Al-Mannai (20362764) (author)
Published: 2021
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author Maryam Mohammed Al-Mannai (20362764)
author_facet Maryam Mohammed Al-Mannai (20362764)
author_role author
dc.creator.none.fl_str_mv Maryam Mohammed Al-Mannai (20362764)
dc.date.none.fl_str_mv 2021-04-22T03:00:00Z
dc.identifier.none.fl_str_mv 10.5339/connect.2021.3
dc.relation.none.fl_str_mv https://figshare.com/articles/journal_contribution/Islamic_Chinese_Art_Islamic_anthology_of_Chinese_calligraphy/27935295
dc.rights.none.fl_str_mv CC BY 4.0
info:eu-repo/semantics/openAccess
dc.subject.none.fl_str_mv Language, communication and culture
Cultural studies
Philosophy and religious studies
Religious studies
Chinese Islamic art
pottery
calligraphy
porcelain
Al-Zubara Fort
Qatar Museum
dc.title.none.fl_str_mv Islamic Chinese Art: Islamic anthology of Chinese calligraphy
dc.type.none.fl_str_mv Text
Journal contribution
info:eu-repo/semantics/publishedVersion
text
contribution to journal
description <p dir="ltr">When Islam spread from the Arabian Peninsula to the rest of the world, it impacted the lives of millions of people. One of the impacts was related to the influence on art, especially when Islam entered China in the 7th century. The Chinese Islamic art was a challenging product due to two major factors. The first factor was that the transition of traditional Arabic calligraphy to Chinese Arabic calligraphy was not straightforward due to the huge difference in how Arabic letters and Chinese characters are displayed. The second factor was related to the translation because the Chinese language uses characters to explain the intended meaning, whereas the Arabic language is an expressive and specific language. This paper provides examples of Chinese Islamic art where errors have been observed in written verses from Qur'an or even in spelling the names of Allah. Moreover, it provides interesting examples of pottery and porcelain pieces that were found and preserved in Qatar Museum as well as in Al-Zubara Fort.</p><h2>Other Information</h2><p dir="ltr">Published in: QScience Connect<br>License: <a href="https://creativecommons.org/licenses/by/4.0/" rel="noreferrer" target="_blank">https://creativecommons.org/licenses/by/4.0/</a><br>See article on publisher's website: <a href="https://dx.doi.org/10.5339/connect.2021.3" target="_blank">https://dx.doi.org/10.5339/connect.2021.3</a></p>
eu_rights_str_mv openAccess
id Manara2_d1a23c3724d82eb2a72b448bbeee0f81
identifier_str_mv 10.5339/connect.2021.3
network_acronym_str Manara2
network_name_str Manara2
oai_identifier_str oai:figshare.com:article/27935295
publishDate 2021
repository.mail.fl_str_mv
repository.name.fl_str_mv
repository_id_str
rights_invalid_str_mv CC BY 4.0
spelling Islamic Chinese Art: Islamic anthology of Chinese calligraphyMaryam Mohammed Al-Mannai (20362764)Language, communication and cultureCultural studiesPhilosophy and religious studiesReligious studiesChinese Islamic artpotterycalligraphyporcelainAl-Zubara FortQatar Museum<p dir="ltr">When Islam spread from the Arabian Peninsula to the rest of the world, it impacted the lives of millions of people. One of the impacts was related to the influence on art, especially when Islam entered China in the 7th century. The Chinese Islamic art was a challenging product due to two major factors. The first factor was that the transition of traditional Arabic calligraphy to Chinese Arabic calligraphy was not straightforward due to the huge difference in how Arabic letters and Chinese characters are displayed. The second factor was related to the translation because the Chinese language uses characters to explain the intended meaning, whereas the Arabic language is an expressive and specific language. This paper provides examples of Chinese Islamic art where errors have been observed in written verses from Qur'an or even in spelling the names of Allah. Moreover, it provides interesting examples of pottery and porcelain pieces that were found and preserved in Qatar Museum as well as in Al-Zubara Fort.</p><h2>Other Information</h2><p dir="ltr">Published in: QScience Connect<br>License: <a href="https://creativecommons.org/licenses/by/4.0/" rel="noreferrer" target="_blank">https://creativecommons.org/licenses/by/4.0/</a><br>See article on publisher's website: <a href="https://dx.doi.org/10.5339/connect.2021.3" target="_blank">https://dx.doi.org/10.5339/connect.2021.3</a></p>2021-04-22T03:00:00ZTextJournal contributioninfo:eu-repo/semantics/publishedVersiontextcontribution to journal10.5339/connect.2021.3https://figshare.com/articles/journal_contribution/Islamic_Chinese_Art_Islamic_anthology_of_Chinese_calligraphy/27935295CC BY 4.0info:eu-repo/semantics/openAccessoai:figshare.com:article/279352952021-04-22T03:00:00Z
spellingShingle Islamic Chinese Art: Islamic anthology of Chinese calligraphy
Maryam Mohammed Al-Mannai (20362764)
Language, communication and culture
Cultural studies
Philosophy and religious studies
Religious studies
Chinese Islamic art
pottery
calligraphy
porcelain
Al-Zubara Fort
Qatar Museum
status_str publishedVersion
title Islamic Chinese Art: Islamic anthology of Chinese calligraphy
title_full Islamic Chinese Art: Islamic anthology of Chinese calligraphy
title_fullStr Islamic Chinese Art: Islamic anthology of Chinese calligraphy
title_full_unstemmed Islamic Chinese Art: Islamic anthology of Chinese calligraphy
title_short Islamic Chinese Art: Islamic anthology of Chinese calligraphy
title_sort Islamic Chinese Art: Islamic anthology of Chinese calligraphy
topic Language, communication and culture
Cultural studies
Philosophy and religious studies
Religious studies
Chinese Islamic art
pottery
calligraphy
porcelain
Al-Zubara Fort
Qatar Museum