My Memories Lie on the Shores of the River Shannon

<p dir="ltr">Taking up almost one fifth of the area of Ireland, the River Shannon appears prominently in Irish literature and folklore. Since antiquity, the shores of the River Shannon are sites of cultural and personal memory.</p><p dir="ltr">Ian Maleney’s essa...

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التفاصيل البيبلوغرافية
المؤلف الرئيسي: Amy McCarthy (20383497) (author)
منشور في: 2025
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author Amy McCarthy (20383497)
author_facet Amy McCarthy (20383497)
author_role author
dc.creator.none.fl_str_mv Amy McCarthy (20383497)
dc.date.none.fl_str_mv 2025-11-24T15:07:47Z
dc.identifier.none.fl_str_mv 10.25421/yorksj.30666092.v1
dc.relation.none.fl_str_mv https://figshare.com/articles/presentation/My_Memories_Lie_on_the_Shores_of_the_River_Shannon/30666092
dc.rights.none.fl_str_mv CC BY-NC 4.0
info:eu-repo/semantics/openAccess
dc.subject.none.fl_str_mv Other creative arts and writing not elsewhere classified
memoir
memory
River Shannon
Minor Monuments
dc.title.none.fl_str_mv My Memories Lie on the Shores of the River Shannon
dc.type.none.fl_str_mv Text
Presentation
info:eu-repo/semantics/publishedVersion
text
description <p dir="ltr">Taking up almost one fifth of the area of Ireland, the River Shannon appears prominently in Irish literature and folklore. Since antiquity, the shores of the River Shannon are sites of cultural and personal memory.</p><p dir="ltr">Ian Maleney’s essay collection Minor Monuments (2019) explores how recording the sound of the bog lands by the River Shannon and the voice of his grandfather constructs a complex relationship between the nature of memory and life narrative. Sound and sensory experiences aid memory recall and act as a thread connecting isolated memories to form a narrative. Cissi Tsang argues: ‘Sound can be the conduit for mediating knowledge and imagination’ (Tsang, 2021, p.103). Memory is somewhat fictitious and the interjection of fictional elements in life writing structures narrative. Through his recordings, Maleney discovers more about his relationship with his family and the fragmentary nature of memory.</p><p dir="ltr">In 2006 I visited the shores of the River Shannon. A short car journey away from its banks lies the ruins of my grandmother’s childhood home. Growing up on a small farm not far from the banks of the River Shannon, the desolate remains of my grandmother’s home hold my family’s history. My memories of my grandmother’s house are fragmentary but are fused together by the sensory memories I hold linking to the River Shannon.</p><p dir="ltr">Using Maleney’s Minor Monuments and media from my family’s digital archive, I analyse how sound narrativizes the fragmentary nature of memory in life writing. This paper uses a hauntological approach as it explores nature reclaiming the ruins of my grandmother’s cottage, the false memories created from sensory memory recall, and collective Irish class identity when exploring family history.</p>
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publishDate 2025
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spelling My Memories Lie on the Shores of the River ShannonAmy McCarthy (20383497)Other creative arts and writing not elsewhere classifiedmemoirmemoryRiver ShannonMinor Monuments<p dir="ltr">Taking up almost one fifth of the area of Ireland, the River Shannon appears prominently in Irish literature and folklore. Since antiquity, the shores of the River Shannon are sites of cultural and personal memory.</p><p dir="ltr">Ian Maleney’s essay collection Minor Monuments (2019) explores how recording the sound of the bog lands by the River Shannon and the voice of his grandfather constructs a complex relationship between the nature of memory and life narrative. Sound and sensory experiences aid memory recall and act as a thread connecting isolated memories to form a narrative. Cissi Tsang argues: ‘Sound can be the conduit for mediating knowledge and imagination’ (Tsang, 2021, p.103). Memory is somewhat fictitious and the interjection of fictional elements in life writing structures narrative. Through his recordings, Maleney discovers more about his relationship with his family and the fragmentary nature of memory.</p><p dir="ltr">In 2006 I visited the shores of the River Shannon. A short car journey away from its banks lies the ruins of my grandmother’s childhood home. Growing up on a small farm not far from the banks of the River Shannon, the desolate remains of my grandmother’s home hold my family’s history. My memories of my grandmother’s house are fragmentary but are fused together by the sensory memories I hold linking to the River Shannon.</p><p dir="ltr">Using Maleney’s Minor Monuments and media from my family’s digital archive, I analyse how sound narrativizes the fragmentary nature of memory in life writing. This paper uses a hauntological approach as it explores nature reclaiming the ruins of my grandmother’s cottage, the false memories created from sensory memory recall, and collective Irish class identity when exploring family history.</p>2025-11-24T15:07:47ZTextPresentationinfo:eu-repo/semantics/publishedVersiontext10.25421/yorksj.30666092.v1https://figshare.com/articles/presentation/My_Memories_Lie_on_the_Shores_of_the_River_Shannon/30666092CC BY-NC 4.0info:eu-repo/semantics/openAccessoai:figshare.com:article/306660922025-11-24T15:07:47Z
spellingShingle My Memories Lie on the Shores of the River Shannon
Amy McCarthy (20383497)
Other creative arts and writing not elsewhere classified
memoir
memory
River Shannon
Minor Monuments
status_str publishedVersion
title My Memories Lie on the Shores of the River Shannon
title_full My Memories Lie on the Shores of the River Shannon
title_fullStr My Memories Lie on the Shores of the River Shannon
title_full_unstemmed My Memories Lie on the Shores of the River Shannon
title_short My Memories Lie on the Shores of the River Shannon
title_sort My Memories Lie on the Shores of the River Shannon
topic Other creative arts and writing not elsewhere classified
memoir
memory
River Shannon
Minor Monuments