Video 5.4.1 set <i>toda</i>s in Raga Kedar - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)

Video 5.4.1 set <i>toda</i>s in Raga Kedar - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)

<p dir="ltr">From the collection videos of methods, practice and repertoire from the PhD project, <i>The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello.</i></p><p...

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書目詳細資料
主要作者:	PETE YELDING (11334120) (author)
出版:	2025
主題:	Music performance Musicology and ethnomusicology Hindustani music sitar cello todas
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Video 5.4.4 Diminishing rhythmic pattern <i>toda</i><i> </i>on cello - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
由: PETE YELDING (11334120)
出版: (2025)

Video 5.4.2 ṆSGG RSṆS <i>toda</i><i> </i>pattern - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
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Video 5.4.5 Gara <i>toda</i>s - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
由: PETE YELDING (11334120)
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Video 5.4.6 Pilu <i>toda</i>s - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
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Video 5.4.3 <i>sapāt tān</i>s - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
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Video 5.3.13 Kalpi <i>drut gat</i><i> </i>in Raga Suha - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
由: PETE YELDING (11334120)
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Video 5.3.14 Kalpi <i>drut gat</i> in Raga Gaud Sarang - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
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Video 5.3.12 Kalpi <i>drut gat</i> in Raga Ahir Bhairav - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
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Video 5.4.7 concluding <i>jhalla</i><i> </i>strokes - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
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Video 5.1.2 Basant opening phrase - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
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Video 5.2.1 Rageshri <i>alāp</i> on sitar, video courtesy of Zero Classikal - The Body as Musical Archive: Sustaining the Embodied Knowledge of the Lucknow-Shahjahanpur Gharana Through Translations Between Sarod, Sitar and Cello<i> </i>(PhD thesis)
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