Cultural Heritage and Spectacle: Painted and Digital Panoramic Re-Presentations of Versailles
By comparing and contrasting two panoramic projects of Versailles, one being a painted panorama by John Vanderlyn (1775-1852) completed in 1819 and the other, part of Google's World Wonders Project launched in 2012, this paper will examine the notion of heritage as a tangible entity, experienti...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | article |
| منشور في: |
2016
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| الوصول للمادة أونلاين: | http://hdl.handle.net/11073/8785 |
| الوسوم: |
إضافة وسم
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| الملخص: | By comparing and contrasting two panoramic projects of Versailles, one being a painted panorama by John Vanderlyn (1775-1852) completed in 1819 and the other, part of Google's World Wonders Project launched in 2012, this paper will examine the notion of heritage as a tangible entity, experiential consumable, and identity maker, and show how heritage sites and the panorama (both painted and digital) act as a spectacle that seeks to fulfill the needs and desires of its visitors to consume past and present cultural landscapes. |
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